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cosascool:

Brian Boner
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Artist Dayna Thacker is interested in the extreme interconnection of everything that exists in our world. From the very large to the infinitely small, she believes that everything ties together in a balanced system of existence. Her exploration of these relationships is evident in her collage project, entitled Theories of Everything.
Using elements of geometry, symmetry, and repetition, Thacker creates a visual language featuring simple and elegant compositions that are layered together with hand-cut lines and shapes. In each piece, the colors and textures blend together in balanced and intertwined landscapes. 

Artist Dayna Thacker is interested in the extreme interconnection of everything that exists in our world. From the very large to the infinitely small, she believes that everything ties together in a balanced system of existence. Her exploration of these relationships is evident in her collage project, entitled Theories of Everything.
Using elements of geometry, symmetry, and repetition, Thacker creates a visual language featuring simple and elegant compositions that are layered together with hand-cut lines and shapes. In each piece, the colors and textures blend together in balanced and intertwined landscapes. 

Artist Dayna Thacker is interested in the extreme interconnection of everything that exists in our world. From the very large to the infinitely small, she believes that everything ties together in a balanced system of existence. Her exploration of these relationships is evident in her collage project, entitled Theories of Everything.
Using elements of geometry, symmetry, and repetition, Thacker creates a visual language featuring simple and elegant compositions that are layered together with hand-cut lines and shapes. In each piece, the colors and textures blend together in balanced and intertwined landscapes. 

Artist Dayna Thacker is interested in the extreme interconnection of everything that exists in our world. From the very large to the infinitely small, she believes that everything ties together in a balanced system of existence. Her exploration of these relationships is evident in her collage project, entitled Theories of Everything.
Using elements of geometry, symmetry, and repetition, Thacker creates a visual language featuring simple and elegant compositions that are layered together with hand-cut lines and shapes. In each piece, the colors and textures blend together in balanced and intertwined landscapes. 

Artist Dayna Thacker is interested in the extreme interconnection of everything that exists in our world. From the very large to the infinitely small, she believes that everything ties together in a balanced system of existence. Her exploration of these relationships is evident in her collage project, entitled Theories of Everything.
Using elements of geometry, symmetry, and repetition, Thacker creates a visual language featuring simple and elegant compositions that are layered together with hand-cut lines and shapes. In each piece, the colors and textures blend together in balanced and intertwined landscapes. 

Artist Dayna Thacker is interested in the extreme interconnection of everything that exists in our world. From the very large to the infinitely small, she believes that everything ties together in a balanced system of existence. Her exploration of these relationships is evident in her collage project, entitled Theories of Everything.
Using elements of geometry, symmetry, and repetition, Thacker creates a visual language featuring simple and elegant compositions that are layered together with hand-cut lines and shapes. In each piece, the colors and textures blend together in balanced and intertwined landscapes. 

Artist Dayna Thacker is interested in the extreme interconnection of everything that exists in our world. From the very large to the infinitely small, she believes that everything ties together in a balanced system of existence. Her exploration of these relationships is evident in her collage project, entitled Theories of Everything.
Using elements of geometry, symmetry, and repetition, Thacker creates a visual language featuring simple and elegant compositions that are layered together with hand-cut lines and shapes. In each piece, the colors and textures blend together in balanced and intertwined landscapes. 
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architizer:

Check Out These Psychedelic Architectural Collages by Hugo Barros!
Evocative of that heady post-1968 period of architectural exploration, the collages of Lisbon-based artist Hugo Barros recharge the legacy of psychedelic graphics in the representation of built form. Some of these collages feature floating surfaces of a giant scale, recalling Superstudio’s Earth-devouring Continuous Monument. Others superbly juxtapose disaster and architectural stability, challenging structural equilibrium and suggesting kinetic buildings. Read More!
architizer:

Check Out These Psychedelic Architectural Collages by Hugo Barros!
Evocative of that heady post-1968 period of architectural exploration, the collages of Lisbon-based artist Hugo Barros recharge the legacy of psychedelic graphics in the representation of built form. Some of these collages feature floating surfaces of a giant scale, recalling Superstudio’s Earth-devouring Continuous Monument. Others superbly juxtapose disaster and architectural stability, challenging structural equilibrium and suggesting kinetic buildings. Read More!
architizer:

Check Out These Psychedelic Architectural Collages by Hugo Barros!
Evocative of that heady post-1968 period of architectural exploration, the collages of Lisbon-based artist Hugo Barros recharge the legacy of psychedelic graphics in the representation of built form. Some of these collages feature floating surfaces of a giant scale, recalling Superstudio’s Earth-devouring Continuous Monument. Others superbly juxtapose disaster and architectural stability, challenging structural equilibrium and suggesting kinetic buildings. Read More!
architizer:

Check Out These Psychedelic Architectural Collages by Hugo Barros!
Evocative of that heady post-1968 period of architectural exploration, the collages of Lisbon-based artist Hugo Barros recharge the legacy of psychedelic graphics in the representation of built form. Some of these collages feature floating surfaces of a giant scale, recalling Superstudio’s Earth-devouring Continuous Monument. Others superbly juxtapose disaster and architectural stability, challenging structural equilibrium and suggesting kinetic buildings. Read More!
architizer:

Check Out These Psychedelic Architectural Collages by Hugo Barros!
Evocative of that heady post-1968 period of architectural exploration, the collages of Lisbon-based artist Hugo Barros recharge the legacy of psychedelic graphics in the representation of built form. Some of these collages feature floating surfaces of a giant scale, recalling Superstudio’s Earth-devouring Continuous Monument. Others superbly juxtapose disaster and architectural stability, challenging structural equilibrium and suggesting kinetic buildings. Read More!
architizer:

Check Out These Psychedelic Architectural Collages by Hugo Barros!
Evocative of that heady post-1968 period of architectural exploration, the collages of Lisbon-based artist Hugo Barros recharge the legacy of psychedelic graphics in the representation of built form. Some of these collages feature floating surfaces of a giant scale, recalling Superstudio’s Earth-devouring Continuous Monument. Others superbly juxtapose disaster and architectural stability, challenging structural equilibrium and suggesting kinetic buildings. Read More!
architizer:

Check Out These Psychedelic Architectural Collages by Hugo Barros!
Evocative of that heady post-1968 period of architectural exploration, the collages of Lisbon-based artist Hugo Barros recharge the legacy of psychedelic graphics in the representation of built form. Some of these collages feature floating surfaces of a giant scale, recalling Superstudio’s Earth-devouring Continuous Monument. Others superbly juxtapose disaster and architectural stability, challenging structural equilibrium and suggesting kinetic buildings. Read More!
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Nightmares by the Sea, 2013 by Carine Wallauer

Nightmares by the Sea, 2013 by Carine Wallauer

Nightmares by the Sea, 2013 by Carine Wallauer

Nightmares by the Sea, 2013 by Carine Wallauer
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wacky-thoughts:

CENTRE POMPIDOU-METZ BY SHIGERU BAN ARCHITECTS
The architecture of the Centre Pompidou-Metz has unusual characteristics: the remarkable size of its main nave and the variety of its exhibition areas, with large open spaces and more intimate places that encourage inventiveness and continually surprise the visitor.
wacky-thoughts:

CENTRE POMPIDOU-METZ BY SHIGERU BAN ARCHITECTS
The architecture of the Centre Pompidou-Metz has unusual characteristics: the remarkable size of its main nave and the variety of its exhibition areas, with large open spaces and more intimate places that encourage inventiveness and continually surprise the visitor.
wacky-thoughts:

CENTRE POMPIDOU-METZ BY SHIGERU BAN ARCHITECTS
The architecture of the Centre Pompidou-Metz has unusual characteristics: the remarkable size of its main nave and the variety of its exhibition areas, with large open spaces and more intimate places that encourage inventiveness and continually surprise the visitor.
wacky-thoughts:

CENTRE POMPIDOU-METZ BY SHIGERU BAN ARCHITECTS
The architecture of the Centre Pompidou-Metz has unusual characteristics: the remarkable size of its main nave and the variety of its exhibition areas, with large open spaces and more intimate places that encourage inventiveness and continually surprise the visitor.
st0rmshad0w:

Centro Cultural Quarter in Gdansk, Poland by Mikolai Adamus
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enochliew:

Sketches by Anna & Eugeni Bach
All of their architecture projects are represented by intricately hand-drawn black and white sketches, just line work, no greys.
enochliew:

Sketches by Anna & Eugeni Bach
All of their architecture projects are represented by intricately hand-drawn black and white sketches, just line work, no greys.